A street photographer lamentation

FOR IMMEDIATE RELEASE
(Free-Press-Release.com) November 27, 2011 -- We need to understand a street photographer lamentation by Priscilla forthman

To me, or whether you also pay attention to the street not be respected? Twenty years, I kept by the so-called art and professional develops with the "comfort", such as: "well...

good, but we don't know what you want to reflect the???????" , "great, but we like the more modern...." there's more direct: "your work lack of adequate impact, not to add

red lens/exposure... many times." Words can not for money.

Good works should have simple street style, organized/have/have instant feeling of details. Here are several layers of meaning, although may have some small misreading, but

most of the work is easy to understand. A real sense of work is clear/full of optimism/wit...... Good street film is perfect/no change.

Look at this kind of photography of professional attitude is "peace", simple said, is that anyone can take, who can use "watch" way to capture such a film. This is no control of

the scene, the scene is at any time, the photographer is a desire to/with/adventure for the way to speculate/wait for a film to appear. WenNuo grand said: "I watch the way to

take pictures, I work looks are happen". Have so easily? Everyone can do that? The concept is simple but easy to produce misleading.

In "see" a film, whether we can keep cool? The work suggests that for the photographer (to the viewers to look forward to, the) has the profound significance. In order to get

the photo to reflect "instant happened" scene, it must show as a kind of not "precast", meaning: "once the photographer had such an experience, so this experience is simply

not precast and copy". Means: "you'll never take less than the same film, no matter you are WenNuo grand/lee-Flemish rand/Robert frank or zebul loose can". Means: "face

don't understand the risk/to failure means that curious to see psychological and can/the kind of work" fabricated "sense of a kind of contempt.

I found that many media photographer would have found a "successful way", they tried to in for a long period to copy them again and again the "successful"............. . Go to

"create" the same pictures. (I was guilty, but at least I know such phenomenon) deadly failure is not to know a good film from YuTianFu, we can no effort to "create" a perfect

movie, just elaborately analyzed the structure of each place: "why 27 works into white times better than 26/28 th work". Also, some of the master film also can have is time the

"copy" of may. In order to benefit or selfish purposes and a "creation", and not with the purpose of success. For photography, we far not believes that we have fully understand

her.

Practice WenNuo grand practices need courage, abandon all can "precast" image. Enter the world of prefabricated not... This is a form of courage. This is a very difficult to try.

WenNuo grand said: "if you look familiar scene, I will back together again they, I don't like similar scene". We have many people can do about that? With a real adventure to

have the courage to keep calm, it is very rare.

Photography will give us a lot of... ... Is only a game in the prize is to make us sufficient. For many years, I to think music.then the crux of photography, but didn't find a clear

ideas. WenNuo grand said: "movies can in any way to" see ".

For most street photographers: this is a good revelation...... But for some of the other subjects of the unconscious take may also be hard to accept. Because, a film with "any

way to see" means that the photographer to his own feelings only explained, and real reduction "see" scene, in which must reflect a person's actions, hearts and minds!

So interpretation may be very disgusting, perhaps this is so much, all-encompassing adventures or explore the film lacks the reason? Why they do anyway. Because, street

photography is presented in a complex near and sophisticated aesthetic idea... Visitors need to appreciate all other good as art to explore her aesthetic value. And, enjoy a

street film also need to learn some unique visual expression of photography way and every street photographer unique expressions. At the same time, appreciate this kind of

film may also will be affected by the influence of the media aesthetic orientation. The truth is. Most people have no the visual experience.

Yale university school of medicine in appreciation of British students oil painting, this is not in order to carry forward the traditional culture and art, but because the teachers

realize that many top students in a serious lack of visual experience. They can "see" to a skin rash or a cyst, but not able to explain the meaning of the information to explain,

this is really a great panic.

You will be very doubt, why to see other people do not understand your film? Street photography peace of style is different from other media "fierce". When street photography

in the form and content of coordination of tend to be, there is a charming "level". But the so-called art is not consciousness to the street photography is the narrative is the new

/ / meaning as other media art constantly changing. The temptation of street photography is that it's surreal style. Yes, direct photography has the surreal sense! Good street

photography in a near chaos state, he can be peaceful but not mediocrity. In the development of the arts, there is such a kind of popular trend, art style of every 10 years to

change. And different street photography, ever since the street photography, his style is never change. Once you on the road, you have all the popular. This is the reason I like

her.

How to see? He means??????? Street photographer style derived from kept inquiry, does not stop by his own work to do answer. But good news film the proposed more

questions than answers, always with the solution of the event was explained. And not be explained by work itself. When someone is in a dangerous when events, his behavior

by market and the market has left. Can you make out in six months of how many great pictures? As for me, I will never know my next satisfied work in where? The needs of

the market can be mass-produced, can "precast" work. And street photography can cover everything just can't be "fabricated".

WenNuo grand feel New York streets are able to inspire his hemorrhagic impulse and emotion, there absolutely is in staging a wonderful drama. To me, the street photography

is not only to film a scene, but to express a kind of mood, a kind of the attitude of the scene. The street is an exploration of the unknown places, it is the spirit of singular and

full of vigor. The streets and sidewalks is not just shooting a film about a street scene, to the photography is concerned, works to express??????? What's the purpose of the

work? Than the scene where more meaningful. As long as open his mind to wait for things that may happen, all of the scene will become meaningful.

Whether you will often slammed on the brakes a feet to the street a crazy clap, after completion, glanced over the scene behind and dust. There is no panic, also not guess

what? Who will know of the best photos is a surprise or an adventure? We see through the master's film learning photography (and we had failed the film), this is a

irreplaceable process. If we can't to more people show better movies, we can't blame them for their futile, never.
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