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Beyond Available Alternatives: An Interview with Rob Scott : By Matthew B....
Beyond Available Alternatives: An Interview with Rob Scott : By Matthew B. Dineen
July 21, 2011 Other news in Portland,Maine, United States of America
"What are you for?" Variations of that question were constantly hurled at the early global justice movement that erupted, in the U.S. at least, in Seattle during the actions which shut down the WTO meetings in 1999. This was often an attempt by the corpor
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(Free-Press-Release.com) July 21, 2011 --
Beyond Available Alternatives: An Interview with Rob Scott
By Matthew B. Dineen
"What are you for?" Variations of that question were constantly hurled at the early global justice movement that erupted, in the U.S. at least, in Seattle during the actions which shut down the WTO meetings in 1999. This was often an attempt by the corporate media to discredit the movement as a group of aimless idealists protesting just for the sake of protesting. But in recent years, particularly with the rise of global and regional social forums, activists within the movement have taken that question seriously by prioritizing the need for visions of the kind of worlds that we want to live in.
Nearly a decade before the Seattle uprising, a school opened in Urbana, IL dedicated to making those worlds a reality. The School for Designing a Society invites its students to ask the question: "What would I consider a desirable society?" and spend an entire semester designing projects toward realizing that desire. Recently I had a chance to sit down with Rob Scott who is one of the School's full-time instructor's specializing in cybernetics and ecological design. He came on my radio program "Passions and Survival" where we discussed what it would be like to live in a society beyond the one we have now.
Let’s start with the School for Designing a Society. Can you describe what it is and how you got involved with it?
The School for Designing a Society is a project started by activists and artists, composers, poets, people interested in language, politics, economics, and social change. It is aimed at trying to create a space for people to talk about the world as they would like it to be rather than only talk about it as it currently is. So it was taken as a point of departure that people already have a critique of the current society and that’s well known. Just because one has an articulate critique there’s no evidence, that I’ve seen, that one can go directly from the critique of the existing society to one that they prefer. Some space, some time, some environment has to be set up where people can speak with each other about, “What would we put in the place of the system that we disapprove of?”
So we get students that are interested in living in a different society. And rather than start off commiserating with each other about what we don’t like, we try to put a temporary suspension on the discourse of criticism and complaint and encourage people to make proposals as to how they’d like to see the world be otherwise. And to that, the semester unrolls itself in a set of classes, seminars, often discussions and readings, aimed at generating projects, generating activities, works of art, political campaigns—whatever it is that would meet the desires of the women and men who come to the school hoping that society could be otherwise. And looking to generate evidence, because the society we prefer doesn’t sit before us and ask us to simply just hit a button on it. You actually have to sort of make up the language to talk to about it. So that’s mainly what the discussions are aimed at.
Some people frame this challenge in terms of vision and it seems like this is a very visionary project. At a talk that I saw Michael Albert give about radical visions for radical change he discussed how in the past thirty or forty years, if you piled up the manifestations of the critique of existing structures it would go miles into the sky. But then if you made another pile of visionary work dedicated to productively contributing toward alternatives it wouldn’t go past his knee. So it seems like what you guys are doing is very urgent in that sense.
Yeah, it’s precisely that. And it’s not meant as a slander or negation of those that make life work of trying to simply put language to describing the oppression that occurs in the current society and trying to give a voice to those that have always been oppressed by the structure of society as it currently exists. Rather it’s to say that, we do that too and we want in addition to that—not as a substitution or a deletion—but in addition, we want to have this other type of discussion. We would also like it to be that somewhere in the world there’s a time that we say: No, now critique, we check it at the door with our coat, and maybe along with our ego too, and that we don’t know what society it is that want; and that if somebody has got some idea or some starting point we take it seriously. And I could say, in response to Albert’s thing, I’ve at least got a file cabinet that comes up to my neck. So, we do generate quite a bit of stuff in Urbana.
I’m curious about your response to people who are uncomfortable with this idea in general, in terms of trying to map out alternatives. I think there’s this hesitancy towards it as people are afraid of it becoming a so-called “blueprint” for a new society that is too rigid. How do you respond to people who are hesitant to even engage with this sort of project?
Well, I agree
Dineen Matt B. Dineen Matt Brian Dineen Matt Dineen Matthew B. Dineen Matthew Brian Dineen Matthew Dineen
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