British Literature's Impact

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British Literature's Impact

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It is difficult to consider the literature of the United Kingdom without taking into one’s mind the entire breadth and scope of those who built the pillars upon which everything was built. Imagine the notion of Lowell, Massachusetts native Jack Kerouac’s On The Road novel, and the road pictures of Bob Hope and Bing Crosby, without the template built by Geoffrey Chaucer’s Canterbury Tales. After all, there would surely be no literary motif of the road and all it entails without this original story about a disparate group of travelers en route to somewhere else in search of something better.

Stay rooted to the course of that road and notice the signposts, all of them leading towards Stratford-on-Avon, all of them hinting, much like advertisements about a casino deep in the woods where riches can be found just for the price of a few gambling chips, that a master of romance and warfare and ethereal considerations is still toiling away at his profession. The Immortal Bard himself, William Shakespeare, whose legitimacy is still debated to this day, remains a presence of such enormous power over the literature and writing of The United Kingdom that it is difficult to imagine a world without him. Who is this man that brought us Hamlet? Surely a mere mortal could not have conjured up this anguished Dane haunted by death and vengeance impulses. Are Romeo and Juliet just old versions of West Side Story? Eventually, there will be nobody alive to determine who or what came first.

The road on which the literary history and very structure of great United Kingdom writing was founded is deeply familiar to the professional writers at www.ukessayist.com . It is futile to think that such a grand tradition of national literary accomplishment can be separated from the single-minded tendency to look squarely ahead and never take into account the shoulders upon we rest our weary legs. At www.ukessayist.com , the writers assigned to any order clearly know that essays have definite openings, logical development, and absolute conclusions. They are meticulous and absolute in their understanding that the structure of a great term paper, dissertation, short essay response, oral exam, thesis statement, or college application narrative of personal principle begins with the essay.

Deep on the journey of this road, where Chaucer’s troupe of travelers mingles freely with the warriors of Henry V and the weary orphans of Charles Dickens’s Oliver Twist, where Orwell’s Aspidistras grow wild up the side of buildings and PG Wodehouse’s Jeeves looks down on all among him through a steely gaze and tight metal pince-nez, there is a light off the distance somewhere, a light unaccountably strong and clear, and the travelers soak it in. At her desk, they see Virginia Woolf, toiling away on a masterpiece none will read until after her self-inflicted death. She has found that room of one’s own, that humble location adjacent to Forster’s Room With A View. From her window she notices the travelers, offers a weary and resigned wave of recognition, and resumes her work. They keep going, on the way to find out, like Bunyan’s progress, inexorably drawn towards still more illumination, up towards a grand apotheosis that will only be understandable in the context of the big, great, difficult road of the personal testimony.

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