Collections and the art of graduation dresses

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(Free-Press-Release.com) February 16, 2012 -- It is clear that this introduction of the multi-art is also indebted to the fervent feminist movement in the '70s, began to emerge, but in here we will not stop. We dressed every day with a number of items we have in our closet. The articulate about our bodies and become symbolic forms. This dress day will be limited by factors from various sources, including the weather, fashion, location, membership or not a particular religion, etc. However, this dress every day becomes symbolic form through which we made our identity.

Consideration of clothing as symbolic form is taken from the philosopher E. Cassirer and his Philosophy of Symbolic Forms. Cassirer exposed between the symbolic forms of religion, science, language, myth and art creations in which man directs his feelings, desires and thoughts, which determine and define the circle of humanity. Art, according to Cassirer, it would be an understanding by which we create a world that is manifested in the events, something sensitive, as a symbolic form. Adding to symbolic forms raised by Cassirer, we distinguish current clothing. So consider this as a human creation from which we order and express feelings, desires and thoughts. We need to remember this when finding graduation dresses.

Great meaning

In the history of clothing there are several examples in which the symbolic meaning which have certain items in a given historical period, affects very evident at the time and in the interpretation of it. The graduation dresses with a corset style is one of them, perhaps the best known example, which in the nineteenth century was a symbolic statement of not being pregnant, among other things. This has also served as a status symbol producing different social strata, marking an incisive way class differences, operating as a sign of a privileged position. So we note with this example, and not many more than now point out that the clothing is soaked with symbolic elements that account for how human beings cannot cope with the reality of an immediate way!
However, without doubt, giving rise to that right now I find myself doing work on the presence of clothing in contemporary art is the emergence of what is known as conceptual art.
Conceptual Art influence

Conceptualism in the artistic sphere from the seventies has a lot to do with the lates graduation dresses and top gala models. This fact is founded by what Lucy Lippard called "dematerialization of the art object." This involved a paradigm shift in the production and reception of the artwork from that time until this part. From here begin to be increasingly frequent practices are not limited to a specific medium or traditional, but appear in different ways, giving priority to the work process, not its outcome.

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