Intensive Workshop by IAFT Showcases Latest Techniques and Advancements in RED

FOR IMMEDIATE RELEASE
(Free-Press-Release.com) May 10, 2010 -- The International Academy of Film and Television (IAFT) is proud to present the 2010 RED CAM Intensive Workshop in conjunction with Michael Cioni and LIGHT IRON Digital. Slated to take place April 24th, 2010 in Los Angeles, California, the one-day intensive workshop promises to not only introduce industry professionals to the superiority of the RED tapeless workflow, but will also bring existing users up to speed with the latest developments to the RED ecosystem, including the new and improved RED Mysterium X color science.

Facilitated by Michael Cioni, one of the industry’s top specialists in RED camera and workflow, the workshop will be covering the following topics:
RED RAW image capture
MX exposure
Files vs. tape comparisons
Footage evaluation
2K vs. 4K
RED Rocket
RocketCINE X
Archiving
Film vs. Tape vs. RED budgeting
MX color science & color correction

“IAFT’s mission is to provide best-of-breed, current and practical training to all its students, be it through our regular curriculum or workshops such as this,” said Keith Sensing, Executive Director of IAFT. “We are honored and pleased to have with us once again one of the best caliber of practitioners to share his vision and experiences in RED’s revolutionary range of cameras and workflows, and we believe this to be a crucial exposure for the next generation of filmmakers.”
As a founding member and instructor at RED’s official training program “REDucation”, Michael Cioni has more than a decade of experience in feature film and television post production. Having worked on over three hundred file-based projects and provided progressive data-centric post production advisory support for hundreds of producers and production companies, Cioni has undoubtedly made a name for himself as a specialist of the next-generation tapeless environment.

“Through this workshop, one will be able to discover the tangible benefits of working in a tapeless environment over tape or hybrid environments. Students will not only leave with little-known facts about the new RED MX system, they will also gain a deeper understanding of applicability through professional case studies, hardware demonstrations, and footage examples,” said Cioni. “It will also be an exciting time to discuss RED’s post-NAB developments-such as improved color science and RED’s digital still motion capture (DSMC) system,” Cioni added.
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