It's More Than Just The Music

FOR IMMEDIATE RELEASE
(Free-Press-Release.com) October 13, 2011 --

But it's more than just the music that makes the show work. Taking a page from the late John Hughes, Glee also uses comedy to illuminate the universal truths of our American upbringing and the strength found in the diversity of our daily lives. Despite surface appearances, these characters aren't one-dimensional stereotypes. Each has their own unique set of triumphs and tragedies, ranging from religious persecution and sexual orientation, to abandonment issues and self-limiting behaviors. Finn Hudson (Cory Monteith) may be the golden boy quarterback with a gorgeous girlfriend, but he's a rather dim bulb fronting a football team that can't buy a win, and growing up without a father who died while on deployment in Iraq. Quinn Fabray (Dianna Agron) is McKinley's head cheerleader, protege of Coach Sylvester, and president of the school's chastity club, but whose life is unraveling after discovering she's pregnant and subsequently tastes the bitter fruit of alienation she used to dish out on a daily basis.

Mercedes Jones (Amber Riley) is the archetypal big girl with a voice that could give Aretha Franklin pause, but is unable to get anyone to listen to her, least of all the boy she lusts after. Kurt Hummel (Chris Colfer) is a flamboyant stylist who wears his uniqueness like a sandwich board, but suffers in silence for the music he's not allowed to sing and the feelings he's not allowed to express. Rachel Berry (Leah Michele) is the resident drama queen, Jewish American princess, and daughter to a surrogate mother she's never met; a legend in her own mind, Rachel's often oblivious to disaster her ambitions leave in their wake. Artie Abrams (Kevin McHale) and Tina Cohen-Chang (Jenna Ushkowitz) represent the true outcasts, a handicapped nerd and a goth minority, who share a common bond and growing attraction; both want to be seen more for their actual talents than their obvious differences. And perhaps the most obvious archetype, Noah Puckerman (Mark Salling), is the resident jock bad boy who torments anyone he feels deserves it, but struggles with chivalrous feelings and a desperate need to grow beyond the limited, Middle America, working class existence he's pre-destined to live. Together this unlikely group struggle to achieve one goal, defeat a common enemy, and in the process unlock something of value within themselves they only vaguely knew existed.

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