one dress can be said to be responsible for fame and career

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(Free-Press-Release.com) February 24, 2012 --

Diplomatically astute is the white, frothy Jason Wu gown that Michelle Obama wore to the inauguration ball in 2009. She is credited with putting the young designer on the map, while the dress cemented her position as a beacon of style. That Dress: If ever one dress can be said to be responsible for fame and career, it is Liz Hurley's 1994 Versace safety pin dress, while Julia Roberts wore 1982 Valentino when she won her 2001 Oscar for Erin BrockovichThen there are the one-pieces that propelled individuals from the quotidian to the stratospheric. Take Liz Hurley's career-enhancing, asset-adoring safety pin dress, known as That Dress, by Gianni Versace.
Worn in 1994 to the world premiere of Four Weddings and a Funeral in London, the black and gold number is never far from editorial spreads even now, 17 years later. By Geroge, she's got it! Cecil Beaton and Audrey Hepburn both won from their working relationship. Here, the actress wears the costumier-designed Ascot race scene dress for the 1964 production of My Fair Lady

Robbie and Cecilia: 2007's Atonement sees Keira Knightley in stunning emerald, designed by Jacqueline DurranPrincess Diana wore a flesh-baring, overtly sexy and powerful dress on the evening that prince Charles publicly admitted to having an affair with Camilla Parker-Bowles. The dress was a message of defiance, or, as Mr Rubenstein puts it: a 'revenge dress.'
There's a whole section dedicated to Audrey Hepburn, her inimitably coy poise lapping up the flattering lines of Givenchy, Cecil Beaton and the sparkling 'metalwork' of Paco Rabanne's disco-ball like dress.
Etherial beauty: Other-worldly Tilda Swinton captivates in Alber Elbaz for Lanvin, 2008, while Michelle Obama marks an historic moment with a Jason Wu gown, propelling the young designer towards fashion stardom Stylish: 100 Unforgettable Dresses by Hal Rubenstein is published by Harper Design

Within days of Atonement hitting screens in 2007, Kiera Knightley's emerald gown had a posse of admiring fans, its design sexier than any mid-1930s dress would have been. It was a hit with modern audiences far and wide and second-hand copies have been sold for as much as $46,000.Alexander McQueen's 2006 hologram gown sits alongside Lady Gaga's Armani satellite dress and Valentino's definitive bright red creations are warranted a section to themselves.Wedding dresses make the cut, too, with the nuptial gowns of Grace Kelly, Princess Diana and the Duchess of Cambridge all featuring. and the City's Sarah Jessica Parker is pictured, surrounded by ruffled discs, wearing the over-the-top sage green shredded tulle Donatella Versace gown from the series.What the book really does, though, is confirm what any designer worth his or her mettle has always known: that a dress is rendered unforgettable only because of the woman bringing it alive.Or, as Versace put it: 'On a hanger, no dress is sexy. It's just fabric on a hanger. My clothes only come alive on the woman who knows how to be sexy in them.'The article resource come from http://www.onlinehervelegeroutlet.com/jayde-nicole-short-herve-leger-evening-dresses-p-6.html

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