September 27, 2004 (Press Release) --
Into the overcrowded world of fame-seekers & singers comes Yohany (http://www.yohany.com), straight outta Miami. Besides great looks, desire and all the rest, home girl can sing. She has the pipes. And she brings an attitude of freshness, of guilelessness, and simplicity to the cluttered R&B/Dance/Pop music table - an anti-diva in a scene where rude imperiousness is equated with attitude which is equated with the magic talents of a true singer.
This is reflected in her voice and her use of melody, which is particularly evident on her outta nowhere hit, "At the Bar" (http://www.yohany.com/BarMix.mp3). This song is pure pop 2004, with a pumpin' beat and catchy melody; the story is a simple club situation, but, like good pop, it distills the social, emotional, and sexual politics of a life situation in a seemingly offhand way. And while the sound of her voice has similarities to other singers, she eschews the overwrought emotionalism that plagues most.
With an aggressive campaign spearheaded by Covert Entertainment, she is running up the dance/crossover/R&B charts in the Florida regional markets, nationally and internationally, with air play on various radio stations, internet music sites and in clubs as a result of DJ pools up on the latest rump shakers the grassroots is feelin'. Her many performances and promotional activities include a music crawl of Florida radio stations accompanied by her radio promoter James "Hurricane" Heathfield, who has had a hand in such Florida-based luminaries as Britney Spears, Insync, and The Backstreet Boyz.
Yohany is breaking out nationally as well. New York DJ pools have be all over her single like a cheap suit, a rarity for notoriously snobby and elitist crews. Her single entered the Los Angeles top 50 at #42, and jumped to #34 on the next chart, blowing past Adam Sandler and Nerd to edge past the godfather of soul James Brown and nip the heels of such mega stars as Angie Stone, Hillary Duff and that diva's diva, Patti LaBelle. She celebrated her record release by having a show and party in Minneapolis on August 4th, to rave reviews.
http://www.yohany.com
Read the full feature on Yohany at
http://www.musicdish.com/mag/?id=9713
This is reflected in her voice and her use of melody, which is particularly evident on her outta nowhere hit, "At the Bar" (http://www.yohany.com/BarMix.mp3). This song is pure pop 2004, with a pumpin' beat and catchy melody; the story is a simple club situation, but, like good pop, it distills the social, emotional, and sexual politics of a life situation in a seemingly offhand way. And while the sound of her voice has similarities to other singers, she eschews the overwrought emotionalism that plagues most.
With an aggressive campaign spearheaded by Covert Entertainment, she is running up the dance/crossover/R&B charts in the Florida regional markets, nationally and internationally, with air play on various radio stations, internet music sites and in clubs as a result of DJ pools up on the latest rump shakers the grassroots is feelin'. Her many performances and promotional activities include a music crawl of Florida radio stations accompanied by her radio promoter James "Hurricane" Heathfield, who has had a hand in such Florida-based luminaries as Britney Spears, Insync, and The Backstreet Boyz.
Yohany is breaking out nationally as well. New York DJ pools have be all over her single like a cheap suit, a rarity for notoriously snobby and elitist crews. Her single entered the Los Angeles top 50 at #42, and jumped to #34 on the next chart, blowing past Adam Sandler and Nerd to edge past the godfather of soul James Brown and nip the heels of such mega stars as Angie Stone, Hillary Duff and that diva's diva, Patti LaBelle. She celebrated her record release by having a show and party in Minneapolis on August 4th, to rave reviews.
http://www.yohany.com
Read the full feature on Yohany at
http://www.musicdish.com/mag/?id=9713

She brings an attitude of freshness, of guilelessness, and simplicity to the cluttered R&B/Dance/Pop music table.
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