Perhaps you, too, have condemned the lack of new ideas coming out of Hollywood in recent years (or decades). The endless sequels.
October 7, 2006 (Press Release) --
Perhaps you, too, have condemned the lack of new ideas coming out of Hollywood in recent years (or decades). The endless sequels. Ghastly remakes. Movies that turn into stage musicals and then back into movie musicals.
But one corporate rehash actually hit the bull's-eye. The Sci Fi Channel's "Battlestar Galactica" not only improved on its original source material, it made it forgettable. People have even stopped mentioning the original 1979 series when discussing the current edition. I regret having brought it up now. Forget I said anything. There was no original show.
For sheer hot science friction, Sci Fi's "Battlestar Galactica" rivals ABC's "Lost." As both shows enter their third seasons this week, there are easy comparisons, not the least of which is that neither suffered a sophomore slump, and both still appear to have endless source material from which to spin creepy, conspiratorial dramas.
In fact, "Galactica" could hang on far longer than "Lost." Its Odyssian tale is a thousand times more universal than ABC's sadistic experiment. Season 3 of "Galactica" opens with timeless (and, given current world affairs, possibly timely) issues.
The humans ran from the insidious Cylons -- manmade machines that rebeled, evolved into flesh-and-blood models and now want to make babies -- and thought they'd found a hidey hole on a distant planet. Season 2 ended with the Cylons showing up and offering a truce.
Make that "truce." As with any dominant power offering to shepherd a weaker one (think Saddam and his Iraqis, Hitler and his Jews), the assurances don't go far when the barbed wire is unstrung. Season 3 finds an active human resistance at work. Cylon squads are "disappearing" innocent people (including the feisty Starbuck, whose cell mate is one highly twisted Cylon with a biological clock). Humans are recruited to police their own kind, and the word "collaborator" becomes an epithet.
Source: http://search.msn.com
BY THOMAS CONNER Staff Reporter
But one corporate rehash actually hit the bull's-eye. The Sci Fi Channel's "Battlestar Galactica" not only improved on its original source material, it made it forgettable. People have even stopped mentioning the original 1979 series when discussing the current edition. I regret having brought it up now. Forget I said anything. There was no original show.
For sheer hot science friction, Sci Fi's "Battlestar Galactica" rivals ABC's "Lost." As both shows enter their third seasons this week, there are easy comparisons, not the least of which is that neither suffered a sophomore slump, and both still appear to have endless source material from which to spin creepy, conspiratorial dramas.
In fact, "Galactica" could hang on far longer than "Lost." Its Odyssian tale is a thousand times more universal than ABC's sadistic experiment. Season 3 of "Galactica" opens with timeless (and, given current world affairs, possibly timely) issues.
The humans ran from the insidious Cylons -- manmade machines that rebeled, evolved into flesh-and-blood models and now want to make babies -- and thought they'd found a hidey hole on a distant planet. Season 2 ended with the Cylons showing up and offering a truce.
Make that "truce." As with any dominant power offering to shepherd a weaker one (think Saddam and his Iraqis, Hitler and his Jews), the assurances don't go far when the barbed wire is unstrung. Season 3 finds an active human resistance at work. Cylon squads are "disappearing" innocent people (including the feisty Starbuck, whose cell mate is one highly twisted Cylon with a biological clock). Humans are recruited to police their own kind, and the word "collaborator" becomes an epithet.
Source: http://search.msn.com
BY THOMAS CONNER Staff Reporter
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