I try to colored white and black pictures by Aubrey Beardsley. For my mind the result is very interesting, you must see!
Canada (Press Release) May 4, 2008 --
With great excitement I present to you my latest project. It began in October 2007 when my friend Erin SinClair suggested using her workshop while she traveled across Europe. She said to me, "Elena, why don't you use my workshop while I'm away? I know you like the view of the lake and you could sit by the window, make coffee and compose your stories." That chance sounded too good to pass up, so I took it. I didn't end up doing any writing at all, but I did conceive one thing: the web art-gallery.
My favorite part I call "Imaginations in Beardsley’s Theme”. Following my dream, I wish to paint Beardsley’s drawings in the colours of the rainbow: red, orange, green, blue, indigo, violet and yellow. I would like to make a compilation of Beardsley’s drawings opposite artists like Klimt or Kirhner.
Aubrey Vincent Beardsley was an influential English illustrator, and author, best known for his erotic illustrations.
He was aligned with the Yellow Book coterie of artists and writers. He was an art editor for the first four editions and produced many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism.
Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all.
I think that the effect will be striking. If anyone has any other ideas, please feel free to bring them to the www.mbw-artgallery.com.
My favorite part I call "Imaginations in Beardsley’s Theme”. Following my dream, I wish to paint Beardsley’s drawings in the colours of the rainbow: red, orange, green, blue, indigo, violet and yellow. I would like to make a compilation of Beardsley’s drawings opposite artists like Klimt or Kirhner.
Aubrey Vincent Beardsley was an influential English illustrator, and author, best known for his erotic illustrations.
He was aligned with the Yellow Book coterie of artists and writers. He was an art editor for the first four editions and produced many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism.
Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all.
I think that the effect will be striking. If anyone has any other ideas, please feel free to bring them to the www.mbw-artgallery.com.
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